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Erika Mann: The political cabaret in the context of the then cabaret stages in Germany
Freundorfer, Jonas ; Markvartová, Eva (advisor) ; Tvrdík, Milan (referee)
This thesis deals with the life and work of Erika Mann and her political cabaret Die Pfeffermühle in the context of the German cabaret scene at that time. The aim of this work is to present Erika Mann's life and the four-year existence of her cabaret, while reflecting on their significance in the present day. The rise of the German cabaret scene at that time is presented through examples of the most significant cabarets such as Die Katakombe, Kabarett der Komiker, or Schall und Rauch. These had a substantial influence on the appearance of Erika Mann's cabaret, which operated as an artistic opposition against National Socialism from 1933 to 1937. A part of this work also includes the interpretation of selected texts from Die Pfeffermühle, providing an authentic insight into the political and societal situation of that time, with themes such as tolerance, justice, or equality that still remain relevant today. Both Erika Mann and the form of political cabaret have something to offer to society even today. This is demonstrated through the presentation of the performance Erika Mann? by the German-Czech cabaret Das Thema, which was introduced in 2021. Based on an interview with one of the performers, the production is analyzed in detail. The result of this analysis provides a complex portrait of Erika...
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Politická satira na sociálních sítích
MENCLOVÁ, Tereza
The bachelor's thesis deals with the issue of ridicule of politics and politicians in the current media environment. Due to the rapid changes in the media landscape and the new possibilities of the Internet, the relationship between the media and democracy has changed. This also reshaped the character of political satire. The theoretical part explains the relationship between the media and democracy. Subsequently, attention is paid to the changes that satire has undergone, not only from a historical point of view but also from the wave of digitization. The phenomenon of the last few years, the so-called usergenerated satire, which is a satire spread by media users (prosumers), is also explained in more detail. The practical part is focused on the description of the Czech Instagram satirical account TMBK. The aim of the work is to show on the example typical features for prosumer content and to summarize a new kind of satire.
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Political satire in Charlie Hebdo in relation to religion
Kaletová, Anna ; Matějka, Ondřej (advisor) ; Bauer, Paul (referee)
The topic of the bachelor's thesis is the political satire in Charlie Hebdo in relation to religion. In today's France political satire is represented by several newspapers, one of which is the satirical weekly Charlie Hebdo. The magazine, whose origins date back to 1970, specializes in news and cartoons regarding current world affairs, religion, politics and culture. The cartoons published in Charlie Hebdo soon became a rather controversial topic. For that reason, the authors of the magazine have had a number of conflicts with representatives of the muslim community over the years, with cartoons depicting the Prophet Muhammad becoming especially problematic. The difficulties manifested themselves both in the form of threatening letters, the burning of the Charlie Hebdo editorial office, and a terrorist assassination in 2015. The bachelor's thesis maps the history of political satire in France, the history of the magazine Charlie Hebdo and its conflicts with Islam. The aim of the paper is to find out whether the Charlie Hebdo cartoons depicting Islam are in any way specific compared to the images mocking the other two major religious groups, Christianity and Judaism. Using ethnographic content analysis, analysis of selected cartoons published in 2014 and their subsequent comparison, research...
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Visual political satire in the Czech media
Zamouřilová, Klára ; Lábová, Alena (advisor) ; Klimeš, David (referee)
Thesis called Visual political satire in the Czech media shows different types of visual satire which appeared in Czech media during its history and places them in historical context. It examines the political satire in detail from the fifties of the twentieth century, when the communist regime in Czechoslovakia was established. But the largest space is dedicated to the digital age. It describes technological changes which influenced birth of a new kind of satire, photomontage. Thesis focuses on declared photomontage. At first, it shows montages that appear in traditional media and then it proceeds to the internet. Presently, the content of web pages with media theme is created by amateurs as well. Thesis focuses on the production of one such amateur who takes part in the online citizen journalism, Teo Adamy. He comments politics through his montages. By the analysis of his photomontages, we find out in which topics the author is interested and how he processes them. Thesis closely analyzes the category Celebrity/Poblitici and looks for motives that repeat in his images. The final output is comprehensive preview to author's creation.
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Political satire in printed media in election year 2006 and 2010
Štefková, Jaroslava ; Křeček, Jan (advisor) ; Šoltys, Otakar (referee)
This Thesis are dealing with analysis of political satire change during election periods in 2006 and 2010 in printed media (Právo, Lidové noviny and MF DNES). 1796 items were evaluated. In these media three artist in both years were publishing: in MF DNES it is Miroslav Kemel, in Lidové noviny Vladimír Jiránek and in Právo Vladimír Renčín. For political satire research content analysis was used, combining quantitative and qualitative methods. Defined variables are used for grouping images. The research should accept/reject five hypothesis directed to topic frequencies (domestic, foreign, non-political), politicans shown as the target of satire and political tending of particular paper. The most popular target for political satire was Jiří Paroubek former leader of ČSSD due to his nature and physiognomy. This was true for MF Dnes and Lidové noviny. In Právo no concrete politican was drawn by V. Renčín in both years. In the first place topic Election was in 2006 in all papers, in 2010 only for MF Dnes it was Nr 1. In other paper most important topics were morality and demenaurs of politicans. This Thesis confirmed that left-winged paper Právo is not tending to the righ-wing ridiculing. On the contrary, the other newspapers, Lidové noviny and MF Dnes, both being right-wing newspapers, published the...
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Pop-cultural Symbols in Visual Publicism in Tenth years of the Twenty-first Century In Pictures by Teo Adamy
Dvořáková, Anna ; Šoltys, Otakar (advisor) ; Láb, Filip (referee)
AbstractAbstractAbstractAbstract This thesis presents one of the first attempts to uncover and analyze the phenomenon of immediately apparent digital photomontage born and developed in the context of the Czech internet, that does not attempt to simulate a photographic reproduction of reality, but instead to regularly comment on political events of the Czech Republic. Using an analysis of photomontages of Teo Adamy (aTeo), the thesis explores their specific hybrid means of expression and the methods through which it completely fulfills the essence of pictorial commentary. Besides describing the creative basis and inspirational founts of the montage artist, it also provides an in-depth insight into the category of the so-called pseudofilm, a specific part of aTeo's internet production, that consists of photomontages feeding off the medium of film, using meaningful parallels in film stories and pop-cultural film references, or even directly inserts chosen political representatives into well-known film scenes and thus draws upon universal mythological structures activated by popular films. The Pseudofilm category is then subjected to a detailed analysis, whose output is a comprehensive description of aTeo's fictionally-realistic film-political photomontage and an understanding of specific features of its...
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Journalistic approaches in political-satirical TV shows in the USA
Typovský, František ; Moravec, Václav (advisor) ; Jakubisko, Jorik (referee)
1 Abstract This thesis aims to examine the journalistic approaches in three American political satire television shows - The Daily Show, Last Week Tonight and The Late Show. The author searches the common features of the three examined shows, tries to characterize them, and place them into the media context of the United States of America. The author describes to the reader how these shows, through political satire, combine opinion journalism, investigative journalism and humour. Because this thesis deals with American shows, it mostly uses foreign professional literature. This work has two large parts - theoretical and practical. In the theoretical passage, the author tries to define satire as a genre, mentions its use in politics and the relationship satire plays between journalism and humour. The theoretical part continues with the description of the particular journalistic approaches used in these shows and contains the explanation of the position of the examined shows in regards to the approaches these shows use bordering between investigative journalism and comedic humour. In the practical part the examined shows are being analyzed, in the first instance the author describes the construction and composition of these shows, and then documents his claims on concrete evidence. The practical part uses...
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Czech political satire on TV and it's comparation with foreign countries
Jelínková, Karolína ; Bednařík, Petr (advisor) ; Jirák, Jan (referee)
This thesis deals with the TV political satire. It characterizes the selected audio-visual session of the genre of the Czech and American productions. Programs from the Czech environment were Česká soda, S politiky netančím and Politické harašení aneb S politiky stále netančíme, 168 hodin and Kancelář Blaník. The American programs were The Daily Show, The Colbert Report and The Onion News Network. All these TV programs were initially characterized from formal and content points of view. Then, these American and Czech programs were compared from a formal point of view, for example, it refers to the use of music, language and visual comedy, parody, comedy hoax , etc. Powered by TCPDF (www.tcpdf.org)
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The rise of television political satire in the USA, the Czech Republic and Germany in the new millennium
Janák, Antonín ; Kruml, Milan (advisor) ; Jirák, Jan (referee)
The work "Rise of television political satire in the USA, Czech Republic and Germany in the new millennium" maps the development of television political satire in the United States, Germany and the Czech Republic in the period from 2000 to the present days with a look at the history of this genre in each respected country. Special attention is focused on the programs that had the greatest influence on the current form of this genre and influenced it the most. The first part of the work presents the history of television political satire in each individual country and introduces their current representatives of this genre, which have the greatest influence in the modern day. This section also introduces the obstacles of their cultural environment in which the shows were created to provide a more holistic view on obstacles that these shows have had to overcome in today's media world. In the second part, selected shows will be analysed from a technical and formal point of view and attention will also be focused on their hosts. The role of host in these shows is one of the most important elements which determine their future success. Furthermore, the work will examine other elements that individual programs share with each other and, conversely, the elements in which individual programs of political...
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The Elements of Political Satire in Show Jana Krause
Uchytilová, Gabriela ; Kruml, Milan (advisor) ; Štoll, Martin (referee)
The diploma thesis deals with political satire in the Show Jana Krause at the time of selected elections in the Czech Republic in the years 2010-2019. Altogether six sub-periods in which the chosen elections were held were examined, which means that the general sample of episodes of the Show Jana Krause is formed from six smaller samples. The aim of the work was to find out what form political satire had in the show in the monitored period, how often it appeared in it and which political actors were most often its target. The research method was a quantitative content analysis with the help of which the work seeks answers to the following four research questions. RQ1: How much space was devoted to political satire in the Show Jana Krause? RQ2: What elements of political satire does the Show Jana Krause use? RQ3: What politicians, or which political subjects were most often satirically portrayed on the show? RQ4: What topics did political satire on the Show Jana Krause focus on the most? The thesis consists of four chapters. The first chapter theoretically defines key concepts and outlines the history of political satire. The second chapter deals in more detail with the genre of television political satire and its development, especially with a focus on the Czech environment. The intention of the...
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